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It seems only fitting on this Labor Day to hear from
America's favorite unemployed factory worker, Michael
Moore.
Moore is best known for the 1989
sleeper "Roger & Me," a hilarious and
provocative low-budget film in which he showed "how
the world's richest corporation, General Motors,
destroyed my hometown of Flint, Michigan, by firing
30,000 workers during a time when the company was making
record profits," as he recalls in his furious and
funny book, "Downsize This!"
Chronicling Moore's grimly amusing
efforts to find GM's chairman, Roger Smith, and persuade
him "to come to Flint so he could see what he had
done to the people there," the movie hit a nerve
with America's similarly disenfranchised and became the
highest-grossing documentary of all time.
Flint's story was typical, Moore tells us here, of the
devastating effects of mass layoffs throughout the
country. Of course, corporations have improved since
then, he says, not in their regard for employees but
in the way they downsize (never fire) people. The workers
don't complain because the prospect of reapplying for
their old jobs as temporary workers without benefits or
paid vacations is just too tempting.
To show us how sophisticated
corporations have become at this process, Moore
paraphrases advice from "termination
guidelines" issued by such companies as Chemical
Bank and Times Mirror in which managers are told what to
do if, say, a fired employee displays anger: "The
louder the downsized employee talks, the softer the
manger should talk. The idea is to diffuse confrontation,
since the employee cannot have a one-sided
argument."
Thus in a familiar, revenge
motivated stance, Moore figuratively places his hand
firmly on his favorite body part and tells greedy
corporations and the unions that he believes do their
dirty work: "Downsize This!"
Such sledgehammer tactics have
their appeal. Moore shows two photographs under the
headline, "What Is Terrorism?"--the bombed-out
federal building in Oklahoma City and, below it, a
factory in Flint looking similarly gutted in 1996. What's
the difference, Moore asks, between political terrorists
and economic terrorists, both of whom may decide you're
expendable?
Such questions are clearly on the
mind of people who strike up conversations with Moore
everyday, he says. "Why is it," an outraged
taxi driver asks, "that Al D'Amato and the rest of
the congress have spent TWO YEARS and TEN MILLION DOLLARS
investigating why seven--seven, mind you--SEVEN people
lost their jobs in the White House travel office and not
a single dime or day has spent investigating why THIRTY
MILLION other Americans have lost their jobs?"
Before Moore responds, the cabbie offers his own answer:
Because the Big Guys who threw us out of work are the
same ones paying the politicians to keep the country
distracted with some phony Whitewater issue. Any fool can
see that."
Right says Moore, the CEOs making
millions are in collusion with the politicians holding
office, and both want you to blame your financial
problems on immigrants, welfare mothers, gun laws,
Whitewater, or whatever has replaced the Evil Empire
these days.
Moore sends real donations to
politicians via checks from real organizations such as
"Pedophiles for Free Trade," "Hemp Growers
of America" and "Abortionists for
Buchanan" and finds that while some candidates send
checks back, one who accepts them all is Pat Buchanan,
"the most strident ideologue of all."
He also creates "Corporate
Crook Trading Cards" to show us how "'White
Collar Crime' causes more deaths and costs you more money
each year than all the street criminals combined."
Moore's subtitle is "Random
Threats From an Unarmed American," but it's not
true: This book, like his films, is a lethal weapon.
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